Brigham Dimick

Brigham DimickBrigham DimickBrigham Dimick
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    • Solitary Confinement
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    • Domestic Musings
    • Painted Contexts
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    • Mortal Bodies
    • Architectural Inventions
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    • Home
    • Works
      • Solitary Confinement
      • Habitats
      • Domestic Musings
      • Painted Contexts
      • Wax Works
      • Mortal Bodies
      • Architectural Inventions
    • CV
    • Contact

Brigham Dimick

Brigham DimickBrigham DimickBrigham Dimick
  • Home
  • Works
    • Solitary Confinement
    • Habitats
    • Domestic Musings
    • Painted Contexts
    • Wax Works
    • Mortal Bodies
    • Architectural Inventions
  • CV
  • Contact

Architectural Inventions


Excavation Homage


charcoal ink and conte on paper      15” x 19”     2004



Study for Monument (Fibonacci’s Staircase)


charcoal pencil     21” x 50”     2004

 


Helimorphos


mixed media installation     84” x 144” x 10”     2005



Black Pool


mixed media on collaged papers     44” x 78”     2004-05



Observation Precipices


miniature bricks and conte on paper     25” x 26”     2004



Erecting Vistas


charcoal and conte on collaged papers       42” x 42”      2003-04



In Corporae


charcoal and watercolor     30” x 22”     2003



Interscape VI


charcoal ink and conte on paper       19” x 16”     2002



Interscape V


charcoal and conte on paper      25” x 26”      2001



Interwork VI


charcoal and conte     42” x 56”     2001



Interwork V


charcoal and conte on paper     42” x 60”     2000



Interwork IV


charcoal and conte on paper     42” x 60”     2000


Interwork II


charcoal and conte on paper     42” x 50”     1999



Interwork I


charcoal and conte on paper     52” x 60”     1999



Interwork III


charcoal and conte on paper     42” x 52”     2000



Buddha, Burden, Bodhi


charcoal and graphite on rag paper     52" x 42"     2015



Husk Chamber


charcoal and conte on paper     21"h x 26.5"     2018

  These works reveal how drawing was my primary mode of expression for a decade. In them, architecture is employed as a metaphor for the human body. Water towers convey water to a community through unseen pipes, much like a vascular system distributes blood throughout a body. Like the Greek myth of the sculptor Pygmalion whose marble sculpture came to life, I aimed to transform these architectural remnants into living things. 


Inspired by the Deluge drawings by the 16th century Italian painter Jacopo di Pontormo, these reimagined buildings act as bodies in dynamic physical interaction. The forms writhe and twist like vines or lovers, and press against each other and entwine in a responsive manner. 


Instead of completing every form to the same degree of refinement, some passages remain in a gestural state while others are more obsessively rendered . I wanted to highlight the process of drawing as an act of transformation and show the viewer early and later stages of development within the same picture. 

Like a mason, I build these forms brick by brick. While that bricklayer requires static and stable form, these drawings teeter on the precipice between construction and entropy 

Copyright © 2019 Brigham Dimick