
Excavation Homage
charcoal ink and conte on paper 15” x 19” 2004

Study for Monument (Fibonacci’s Staircase)
charcoal pencil 21” x 50” 2004

Helimorphos
mixed media installation 84” x 144” x 10” 2005

Black Pool
mixed media on collaged papers 44” x 78” 2004-05

Observation Precipices
miniature bricks and conte on paper 25” x 26” 2004

Erecting Vistas
charcoal and conte on collaged papers 42” x 42” 2003-04

In Corporae
charcoal and watercolor 30” x 22” 2003

Interscape VI
charcoal ink and conte on paper 19” x 16” 2002

Interscape V
charcoal and conte on paper 25” x 26” 2001

Interwork VI
charcoal and conte 42” x 56” 2001

Interwork V
charcoal and conte on paper 42” x 60” 2000

Interwork IV
charcoal and conte on paper 42” x 60” 2000

Interwork II
charcoal and conte on paper 42” x 50” 1999

Interwork I
charcoal and conte on paper 52” x 60” 1999

Interwork III
charcoal and conte on paper 42” x 52” 2000

Buddha, Burden, Bodhi
charcoal and graphite on rag paper 52" x 42" 2015

Husk Chamber
charcoal and conte on paper 21"h x 26.5" 2018
These works reveal how drawing was my primary mode of expression for a decade. In them, architecture is employed as a metaphor for the human body. Water towers convey water to a community through unseen pipes, much like a vascular system distributes blood throughout a body. Like the Greek myth of the sculptor Pygmalion whose marble sculpture came to life, I aimed to transform these architectural remnants into living things.
Inspired by the Deluge drawings by the 16th century Italian painter Jacopo di Pontormo, these reimagined buildings act as bodies in dynamic physical interaction. The forms writhe and twist like vines or lovers, and press against each other and entwine in a responsive manner.
Instead of completing every form to the same degree of refinement, some passages remain in a gestural state while others are more obsessively rendered . I wanted to highlight the process of drawing as an act of transformation and show the viewer early and later stages of development within the same picture.
Like a mason, I build these forms brick by brick. While that bricklayer requires static and stable form, these drawings teeter on the precipice between construction and entropy
Copyright © 2019 Brigham Dimick