Brigham Dimick

Brigham DimickBrigham DimickBrigham Dimick
  • Home
  • Works
    • Solitary Confinement
    • Habitats
    • Domestic Musings
    • Painted Contexts
    • Wax Works
    • Mortal Bodies
    • Architectural Inventions
  • CV
  • Contact
  • More
    • Home
    • Works
      • Solitary Confinement
      • Habitats
      • Domestic Musings
      • Painted Contexts
      • Wax Works
      • Mortal Bodies
      • Architectural Inventions
    • CV
    • Contact

Brigham Dimick

Brigham DimickBrigham DimickBrigham Dimick
  • Home
  • Works
    • Solitary Confinement
    • Habitats
    • Domestic Musings
    • Painted Contexts
    • Wax Works
    • Mortal Bodies
    • Architectural Inventions
  • CV
  • Contact

Domestic Musings


Bitmap Pioneer


oil, photo, charcoal, on prepared paper mounted on panel     48" x 55"     2017



Filament and Anther


oil and photo on prepared paper mounted on panel     43" x 53"     2016



Reading/Viewing


oil and photo on prepared paper mounted on panel     49.5” x 48”     2016



Child Sleeping


oil and photo on prepared paper mounted on panel     42” x 50.75”     2012-13


Youth Reading


oil and photo on prepared paper mounted on panel     50.75” x 48.5”     2012-13



Young Ophelia in a salt marsh


oil and photo on linen     44" x 78"     2011-12



Domicile and the Faraway


oil and photo on linen     35.25” x 43”     2011-12



Foam Blocks and Receding Bay


oil, photo on linen     43" x 48"     2011-12



 Baleen’s Bath and Retreating Ice


oil and photo on prepared paper mounted on panel     42” x 42.5”     2010-11



Home and the Beaufort Sea


oil and photo on prepared paper mounted on panel
42” x 42.5”     2010-11



Warm Immersion, Cetacean Migration


oil, photo, charcoal, on prepared paper mounted on panel     30" x 39"     2010-2011


“If I were asked to name the chief benefit of the house, I should say: the house 
shelters day-dreaming, the house protects the dreamer, the house allows one to
 dream in peace.”     -Gaston Bachelard

 


These paintings juxtapose the home with the larger world. They also explore the integration of and distinctions between photography and 
painting. Photographs serve as the germ of each work, keying in the light and vantage point. The painting, meanwhile, is the mutable context that resituates the captured moment 
into a new reality. A photo takes less than a second while the painting often requires 
hundreds of hours. The bird's eye view, once thought of as God's eye view, serves as the long 
perspective in time and space. These buildings are based on existing ones. Though real places, they are invented determinations of what is revealed and
 what is removed. Architecture is an animating force, simultaneously being built and deconstructed. Measurement and change is a preoccupation in my process. Like other systems of growth, the building’s expansion and morphing are influenced by a series of variable conditions. Conflating domestic and global spaces serve metaphorically as the simultaneous communities of near and far, present and future.

Copyright © 2019 Brigham Dimick